Free Piano MIDI: Chords, Voicings & Melodies (Royalty-Free)
Piano MIDI is the harmonic backbone of a track — one file carries the chords, the comping rhythm, and the melody at once — and it re-voices through any piano plugin (a felted lofi upright, a bright pop grand, a Rhodes) without changing a note.
Ours is different where it counts: every file is transcribed from a real, cleared public-domain or CC0 piano recording, so it carries genuine spread voicings, natural comping swing, real velocity curves, and the sustain-pedal data (CC64) that makes a real piano breathe — the lane most free MIDI drops, not block chords pencil-drawn onto the grid.
Not just royalty-free — a step better. “Royalty-free” usually still means a license to read: paid-once access, no-resale clauses, or attribution in the fine print. Ours is public domain and CC0 — royalty-free and free of every other term: no fees, no credit, nothing to clear. See the difference →
Part of 95,288 cleared MIDI files on Selekt — and growing.
Free piano midi to play & download
Hit ▶ to A/B each one — A is the cleared recording, B is its extracted MIDI. All 8 are free to download, no account. MIDI carries the notes, not the sound — so the same file becomes a felted lofi upright in Keyscape, a bright Una Corda grand, or a Rhodes in Lounge Lizard depending on the plugin you point it at.
Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →More piano midi in the catalog
A slice of the cleared library. Play any original free; create a free account to save them, then a free trial (no card) to download.
Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Why does B sound plainer?
MIDI isn’t audio — it’s just the notes: which note, when, and how hard. Your browser plays them on a generic piano. Drop the same MIDI into your DAW with your own piano sound and it becomes whatever you want. A is the reference performance; B is the editable clay.
Open this sample →Every sample in our catalog is a cleared recording, already split into its parts — so each one carries piano MIDI wherever there was a real part to extract. A solo piano recording gives you the whole performance as one file; a full band gives a piano part alongside its bass, drums, and guitar; a recording with no keys gives none. Real played voicings, never a guessed chord.
Want the rest?
Those are free to grab right now. There are 95,288 cleared MIDI files across the catalog — create a free account to save the ones you like, then start a free trial (credits included, no card) to download the rest. Every file ships with a license certificate naming its source.
Why piano MIDI is the harmonic backbone: chords, comping & melody in one file
Most instrument MIDI carries one job — a bassline, a riff, a groove. Piano MIDI carries the whole harmonic picture: the chords that define the key, the comping rhythm that gives them motion, and the melody on top, all in a single file. That's why a piano MIDI is so often the seed of a track — drop it in, and you have the progression and the feel before you've added anything else.
Because the sound comes from your own plugin, the file itself is pure musical information: which notes, voiced how, hit how hard, held how long. Get those right and the same MIDI works as a sparse lofi loop or a lush cinematic bed — the substance is in the performance, not the patch.
Real voicings vs. block chords: rootless shapes and why they feel like one organism
The difference between piano MIDI that sounds professional and piano MIDI that sounds like a beginner is voicing — how the notes of a chord are spread across the keyboard. Block chords stacked in root position sound stiff and muddy in the low-mids. Real players spread the harmony: bass note low, the color tones up in the right hand, voices that move smoothly from one chord to the next so the progression breathes like a single organism instead of a row of separate stamps.
Rootless voicings are the clearest example. Codified by Bill Evans around 1958, they drop the root (the bass or your own bassline covers it) and lead with the 3rd and 7th — Type A puts the 3rd on the bottom, Type B the 7th — so the changes glide with minimal hand movement. That voicing logic is exactly what gets lost when MIDI is drawn in by hand, and exactly what survives when it's transcribed from a real performance.
The quality tell: velocity dynamics and CC64 pedal data most free MIDI omits
Velocity is the number-one signal of whether piano MIDI was played or programmed. A real performance pushes and pulls — accented melody notes, softer inner voices, a comping hand that swells and settles — and that dynamic curve is what your ear hears as a human at the keys. Flat, identical velocities are the instant tell of a drawn-in part; the realistic move is to keep a played take's velocities intact, or humanize a programmed one by a few percent rather than quantizing it to a dead level.
The other tell is the sustain pedal, carried as CC64 (a value of 64 or higher means the pedal is down). The pedal is half of how a real piano sustains and blurs between chords — and most free piano MIDI simply leaves the lane out, so it sounds dry and disconnected no matter how good your plugin is. Selekt's files keep the pedal data alongside the velocity, because both were captured from the original performance.
Re-voice any piano MIDI with your own VST: lofi upright, pop grand, or Rhodes
MIDI carries no sound of its own, which is the whole point — the notes stay fixed while the instrument is yours to choose. The same progression becomes a dusty felted upright for a lofi beat, a bright concert grand for a pop ballad, or an electric Rhodes for a neo-soul groove, just by pointing the file at a different plugin. Transpose it to fit your vocal, retime the comping, thin or thicken the voicing — it's all editable note by note.
That portability is why piano MIDI outlasts an audio loop. A loop is one piano, one room, one take, frozen. A piano MIDI is the performance written down — ready to be re-voiced, re-felt, and rearranged into whatever the track needs.
The famous-song trap: why a copyrighted piano transcription is still infringing
Most piano MIDI floating around the internet is a transcription of a copyrighted song — and a MIDI re-creation of a protected composition is itself infringing, even though no audio was sampled. The notes are the composition, and the composition is what copyright protects. 'Royalty-free' on a file doesn't fix that; it only means no ongoing royalties, not that the underlying tune is clear to use.
Selekt's piano MIDI sidesteps the trap at the source. Every file is transcribed from a real, cleared public-domain or CC0 recording — isolated stems convert far cleaner than dense mixes, which is exactly why we extract from cleared parts — and each one ships with a provenance certificate naming where it came from. It's a human performance you can legally keep.
Piano MIDI, answered
- Is cleared piano MIDI better than royalty-free?
- Royalty-free only means no ongoing royalties — the license underneath can still restrict reselling, require credit, or limit use, and crucially it says nothing about the tune itself. A 'royalty-free' transcription of a copyrighted song is still an infringing composition. Selekt's piano MIDI comes from public-domain and CC0 recordings, so the notes themselves are clear, plus a certificate naming the source. Royalty-free vs public domain vs CC0 →
- Will this work in my DAW with my own piano plugin?
- Yes. A .mid file drops into any DAW — FL Studio, Ableton, Logic, Pro Tools — and plays through whatever piano instrument you load, since MIDI is just the notes, velocity, and CC64 pedal data. Transpose it, retime the comping, edit voicings note by note, then render it as a lofi upright, a grand, or a Rhodes.
- How do I tell good piano MIDI from a drawn-in fake?
- Look at two things: velocity and the sustain lane. A played performance has varied velocities — accents, softer inner voices — and CC64 pedal data that most free MIDI omits, which is why it sounds dry. Selekt's files keep both, plus real spread voicings instead of root-position block chords.
- Can I use these in tracks I sell?
- Yes — cleared for commercial use. Every file is transcribed from a public-domain or CC0 recording and ships with a certificate, so the composition itself is clear and you can release without a clearance question hanging over the progression.
Keep digging
Building a rhythm section? Pair these with free vocal midi, free guitar midi — the parts were cleared together, so the blend is covered too.
