Can I use these house loops in tracks I sell or release commercially?

Yes. Every loop in this bucket is CC0 or public domain, royalty-free, and cleared for commercial use. Each download comes with a certificate documenting that, which is worth keeping on file if your track ends up signed to a label or licensed for a set.

What BPM are these loops, and will they fit my tech house project?

They sit in the standard house range, roughly 120 to 128 BPM, with tech house material toward the faster end. Time-stretching a few BPM in either direction to hit your project tempo is clean and won't introduce noticeable artifacts.

Are the loops keyed and labeled so I can match them to my track?

Melodic loops, stabs, organ, piano, and basslines carry key information so you can match your bassline and chords. Drum and percussion loops are pitch-agnostic, so you can layer those into any project without worrying about key.

What's the difference between the deep house and tech house material here?

Deep and soulful house leans on warm Rhodes and Hammond chord beds with looser drums, while tech house is drier and more percussion-driven, built around a tight rolling groove and a single muted stab. Both draw from the same loops; they just spend the energy differently.

House Loops & Samples - CC0, Royalty-Free

Updated June 2026

House lives and dies on the kick. Everything here is built around a four-on-the-floor pulse sitting between 120 and 128 BPM, with the open hat on the offbeat doing the heavy lifting for momentum. The loops in this bucket are the parts that go around that pulse: chord stabs, organ and piano riffs, shaker and conga layers, and the kind of looped bed you can drop under a kick and instantly have something playable.

The split worth knowing before you dig in is tech house versus deep and soulful house. Tech house tends to run a little faster and drier, leaning on a tight, rolling percussion groove, a single muted stab, and a bassline that bounces in the gap between kicks. Deep and soulful house is warmer and more chord-forward, where a Rhodes pad or a Hammond stab carries the emotional weight and the drums stay loose underneath. Both pull from the same vocabulary, they just spend the energy in different places.

These loops are CC0 or public domain and ACRCloud-screened, so a stab you flip into the spine of a track won't surface as someone else's uncleared sample later. You get a certificate with the download, which matters more in club music than most genres, since a track that takes off gets played out and licensed fast.

What makes a stab sit right in a house track?

A house stab is usually a chord, an organ, Rhodes, or piano voicing, hit short and gated so it reads as rhythm as much as harmony. The trick is placement: classic house puts the stab on the offbeat or the and-of-2, so it answers the kick instead of fighting it. Keep the voicing tight, three or four notes in a close cluster, and let the release be short so it doesn't smear into the next bar.

When you pull a chord loop from here, listen for whether it's already gated or playing as a sustained pad. A sustained bed you can chop and re-trigger to taste; a pre-gated stab you can drop straight onto the offbeat. Either way, the harmony is set, so you're free to build the bassline and drums around it rather than the other way around.

Matching BPM and key without killing the groove

Most of these loops sit in the 120 to 128 range, so time-stretching to your project tempo is usually a small move that won't introduce artifacts. If you're going from a 122 deep house loop up to 126 for a tech house edit, that few-BPM jump is well within what any DAW's stretch algorithm handles cleanly. Bigger shifts start to thin out a Rhodes or warble a vocal, so it's worth grabbing a loop already close to your target.

For key, the percussion and drum loops are pitch-agnostic, layer them freely. The melodic stabs and basslines are not. Find the root of your stab loop, set your bassline to match, and if a loop fights your existing chords, transposing by a semitone or two is cheaper than retuning the whole arrangement. A clean four-bar loop in a known key saves you that guesswork.

Building a groove from percussion and organ layers

The thing that separates a flat house beat from one that moves is the layer between the kick and the lead: shakers running sixteenths, a conga or bongo accent, a tambourine on the offbeat. House borrowed this swing wholesale from disco and Latin percussion, and a single conga loop nudged slightly off the grid does more for the pocket than any amount of drum programming. Stack two or three percussion loops at different velocities and pan them apart for width.

Pair that with an organ. The Hammond drawbar bed is house's signature melodic instrument for a reason, it sits in the midrange where it can be both pad and rhythm, and a quick organ stab with a touch of chorus is the sound of soulful house in three notes. The organ loops here work as the harmonic anchor while the percussion carries the energy, which is the division of labor most house tracks settle into.

Flipping a loop into something that's yours

Because these are cleared CC0 and public-domain parts rather than a licensed sample pack, you can chop, re-pitch, resample, and rearrange a loop into a hook that no one else has without worrying about a flag down the line. Run a soulful chord stab through a resampler, pitch the chops into a new progression, and you've got an original topline built from a cleared source. That's the practical upside of starting from public-domain material in a genre where tracks get played out, ripped, and ID'd constantly.

House loops, answered

Can I use these house loops in tracks I sell or release commercially?: Yes. Every loop in this bucket is CC0 or public domain, royalty-free, and cleared for commercial use. Each download comes with a certificate documenting that, which is worth keeping on file if your track ends up signed to a label or licensed for a set.
What BPM are these loops, and will they fit my tech house project?: They sit in the standard house range, roughly 120 to 128 BPM, with tech house material toward the faster end. Time-stretching a few BPM in either direction to hit your project tempo is clean and won't introduce noticeable artifacts.
Are the loops keyed and labeled so I can match them to my track?: Melodic loops, stabs, organ, piano, and basslines carry key information so you can match your bassline and chords. Drum and percussion loops are pitch-agnostic, so you can layer those into any project without worrying about key.
What's the difference between the deep house and tech house material here?: Deep and soulful house leans on warm Rhodes and Hammond chord beds with looser drums, while tech house is drier and more percussion-driven, built around a tight rolling groove and a single muted stab. Both draw from the same loops; they just spend the energy differently.

Keep digging

Mixing it up? These pair well — techno loops, bass loops, or electronic loops.

Spin and audition every loop in Sound Lab, or browse the whole cleared catalog — all of it screened the same way.

Every loop is CC0 or public domain, screened at the source — see how clearance works or verify any sample.

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